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If, as everyone seems to think, Deckard was a replicant, why didn't he use his super strength to defend himself in the fight scene with Roy Batty (played by Rutger Hauer)? Was it because he was not Nexus-6?
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His memories didn't include knowledge of being a replicant.
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I see, just like Rachel didn't know she was one either.
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Exactly. If I only had a couple years to live, I wouldn't want to wait, hand and foot on some near sighted weirdo in a pyramid.
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maybe.
that's the ambiguity at the end of the DC. -
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What about this quote (from the character played by Edward James Olmos)...
"It's a shame she won't live...but then again who does?"
I love that line.
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you know, I used to hate this movie until I saw the directors cut.
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He's NOT a replicant -- that's just Ridley Scott's wack-ass idea he pushed by adding the unicorn dream sequence. Has nothing to do with the source material or any version of the script.
The film works specifically because he's a HUMAN shown how to become a better person, ironically, by the artificial life forms he encounters. Scott's dumb idea undermines this very important theme. -
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This is the maximum depth. Additional responses will not be threaded.well that was one of the main themes of Androids, if I remember right, but it seems that Ridley's film was a totally different story all around
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In the interviews I have seen with Ridley, he talks about the Unicorn as a personal tid bit. Given the fact that the unicorn is featured in his movie Legend, one needs to look at this in the larger context of his work. I think it represents more than just the possibility of deckard the replicant.
He is big on dream sequences, and foreshadowing.
There are some other interesting things in the film that hint at him possibly being a replicant. You have to compare the book and the movie closely to get them.
The PC Game plot did a nice job of blending the book and film storyline, with some added twists. I think alot of the central theme is about memory and identity. I think there is allot of Mary Shelly in the movie as well. -
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I object to the phrase "his work."
Scott is about as far from an auteur as a director can be. He's not a genius, nor an artist, but a craftsman. Watch his body of work from beginning to end, and it demonstrates the hallmarks of a man who simply likes to stay employed. There exists zero thematic connection between his works, and many moments of brilliance are often due to actors and screenwriting rather than to Scott's ability to fuse narrative with image. In fact, he's made more bad or mediocre films than good ones. Scott seems to have the uncanny ability not to be able to tell a good script from a bad one. His only concern is image, and he's never been too great at working with actors. The fact that he can get A-list talent saves his ass more often than not.
Scott made two of the most important, influential sci-fi films of the 20th century, "Alien" and "Blade Runner," followed it with a competently entertaining fantasy, "Legend," then made two of the worst movies of the 80s, "Someone to Watch Over Me" and "Black Rain." (And isn't is really, really odd that he's never made another sci-fi film?)
BR was a perfect example of how great collaboration produces great film; there's a long list of amazing talent attached to that film.
So, if you'll pardon my French, but I could give a crap about "the larger context of his work" and his "personal tid bits." He just doesn't deserve that kind of reverent analysis! -
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>>Scott made two of the most important, influential sci-fi films of the 20th century, "Alien" and "Blade Runner," followed it with a competently entertaining fantasy, "Legend," then made two of the worst movies of the 80s, "Someone to Watch Over Me" and "Black Rain." (And isn't is really, really odd that he's never made another sci-fi film?)
I recently watched Someone To Watch Over Me, and have to agree - the man has executed some beautiful pieces of work, but also some monumental pieces of shit.
I consider both Alien and BR to be Art Films. but he has done his fair amount of schlock.
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